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May 29 2023

Return of the King

Published by under poems

This poem is not meant to be an accurate depiction of the life and times of Rory Gallagher but more a fantastical take on his life with a bunch of what ifs and what mights. Apologies to those easily offended, or expecting a better poem.


 

Return of the King

 

Amidst the swell and savage pull of a black-faced Irish Sea
A rusted ship like pocked cork bobs and seeks out the river Lee.

Coming home at last from London town with sad and heavy freight
Returns half mast with native son, the last of the Irish Kings.

A Donegal lad, an Irish minstrel who plied his trade abroad,
Yet come every year to Belfast he did duckwalking the halls of Ulster.

No more will he tread the boards of Tralee, the Carlton, the Savoy or Stadium,
No great flying leaps or machine gun assaults, the stage is now left abandoned.

On comes the heavy laden ship, with grey and rust-stained keel,
It’s cargo holds no Pharaoh cold, no lords from Whitehall leap.

No glimmer twin in fancy raiment, no star from cine reel,
Just prodigal son in denim and Strat now returned to his Irish keep.

grave

Swansea – Cork Ferry

Below the decks two figures sit, true brothers in all but name,
Between them lies the iconic Strat, the Bluesman’s diadem.

A survivor of countless roads less traveled, blood ’n sweat infused in its grain,
Still waits for the hands, the lovers caress, fleet fingers in wild abandon.

No more will it sing or cry out in pain, no sharp agony of notes,
The master’s hand now laid to rest, the strings forever mute.

What stories it could tell of life on the road, the nights so filled with music,
The roar of the crowd, the stamping of feet and “Let’s have another one Rory!”

And sure enough one more would be sung again and again and again,
Until lights would go on and the crowds stumble home with looks of exultant glory.

But long years had passed since his days in the sun, his hold on fame fast fleeting,
The crowds had thinned out, and left him to doubt his God given ability.

His life on the road had taken its toll, his body could no longer withstand
The soaring high leaps, the Chuck Berry duck walks that once was a part ingrained.

A lonely sad soul with a heart of pure gold, Blues fire still burns from within
As he played his guitar in smoke-filled bars, squeezing notes in the rumble and din.

There came such a time he could no longer go on, his body now sick and weak,
He collapsed on the stage, stunned silence gave way to boos without surcease.

The end of his days were in hospital stays, no medicines could cure body or soul
From long years on the road, the pills, alcohol, and the heartache of a man forgot.

The ship steams west to lay his body to rest in fields of Irish clover,
His brother and Tom, long journeymen bound, replaying long nights forever.

A naked bulb swings from the ship’s high beam, shadows play across their visage,
Transfixed in their grief their counsels they keep and bear witness to this final voyage.

The ship arrives at dock Leeside, black night replaced with grey.
Coiled ropes are hurled from arms inured, a thousand orders belayed.

From within the ships great cargo hold, the precious freight emerging,
Plucked up by crane, shuttled across ship’s main to stevedores awaiting.

No fanfare awaits the return of the king, no trumpet blasts ensue;
No milling throng, or staid Lord Mayor to mark the solemn milieu.

grave

Shandon Bells

The Bells of Shandon at the church of St. Annes tolls by the waters Lee
And startles a gull that’s perched on the hull of the ship now docked on the quay.

It takes to the air with a squawk and a glare, away from the din retreating
And streaks to the west as if messenger sent to announce the return of the king.

Soaring on thermals, it banks to Cork central, down to MacCurtain Street
Where the once-favored son called a lively pub home by the banks of the river Lee.

What tales could be told in those Crean-coloured walls high above the once Kingly street,
Whispers of plots against Lord Mayor Tomas by brothers of the R.I.C.

But now the curtain’s thrown back, light replaces the black, new life fills the streets
The war long past, Shandon’s Bells give blast, and the bells toll not for thee.

And away the years melt, as if the sound of the bells the distant past awakens,
And there’s the bright lad, wooden guitar in his hands, who aspired to such greatness.

Just barely past ten, so full of passion, he listens to the Armed Forces station
Where jazzmen blow and bluesmen strum and hold his rapt attention.

Below in the streets the air is replete with sounds of the busy day
The Shawlies call from their market stalls for sweets at Hadji Bey’s.

grave

Staff of Thompson’s Bakery

The crowd wanders about as the Palace lets out, smelling of popcorn and Thompsons cake.
And the young lad stops at O’Brien’s shop for a Knickerbocker Glory or 99 flake.

Chocolate Easter eggs are poured above the Ice Cream Parlour, bags of treats nestled within.
Old Lowery’s Music Hall and Thompson’s Swiss Roll, by Easter Sunday both have arisen.

Atop the Examiner’s crown, the vast city surrounds, the proud son with guitar held dear.
The winner of fortune, T.V. talent competition, Roy Croft, the fabled compere.

grave

Rory Gallagher on the roof of the Cork Examiner – 1961

Just a lad of North Mon, with brother on drums, he plays the school hall dances,
And charms the lads and lithesome lasses despite Christian Brothers glances.

Joins at 15 the Silver Star Ceili, who’ve traded fiddle ’n box for guitar wailing,
And travels to gigs throughout the land calling themselves the Fontana Showband

From the Arcadia in Cork to a dance hall in Dingle, Rory makes such an Impact,
That across the seas he goes, green budgie in tow, to Madrid then a London club residence.

grave

Impact Showband in Madrid in 1965

His name fast growing, he prowls the stage glowing, a caged lion deaf to the cheers,
With long hair flying, the young girls deeply sighing as he sings the “Valley of Tears.”

But he’s already found the love of his life, a sixty-one Stratocast Fender
Bought on the quay, a Showband returnee, from Crowley’s, a Lee-side vendor.

Long fingers caressing, no lassie so fetching as the curves of that sunburst axe
With dirty chunk riffs and searing hot licks ringing out from that body electric.

Like Beatles before him, the German clubs call him, the Sister Sirens of yore,
With the remains of the band, Johnny C. and Tobin, he sets off for that distant shore.

grave

Johnny Campbell and Rory Gallagher – Hamburg 1966

A three week deal as a Fendermen fill, at the Big Apple playing rhythm & blues,
And there his craft grew in that crucible stew in the noise, the smoke and the brews.

Two local lads from the Axils band, Norman and Eric he takes on the road
And together the three play high octane R&B, taking the rebel county by storm.

Wherever they play, the silence gives way to cheers from the approving crowd
And their reputation grows like a blossoming rose, fame growing by leaps ’n bounds.

The path that they tread, like the roots of a tree spread far away to the distant lands end,
And the Tendrils take hold in the rich Irish soil, and nurture that burgeoning stem.

One tendril creeps north along the wild Atlantic coast to Derry by way of the Burren,
As if retracing the steps a young family once left by the banks of the river Erne.

On a mill town step with babe at the hip she looks towards the river bend.
And pictures her man on the faraway dam testing strength in the hardened cement.

Was it there at the bend of the fast rushing Erne that the devil struck his deal?
And saw the death throes of the Falls of Assaroe for the price of a sparking joule?

grave

Falls of Assaroe

For gone are the days when the salmon once played and fishermen cast their lures;
Now the river runs thin and the mist and the din of the roaring Erne is no more.

The men left town to find work down the line, young mother and child rode north
On a narrow gauge rail to the banks of the Foyle, to Granny’s house on Orchards Row

Many years have passed since that young mother cast her eyes to the faraway dam.
The babe now a man travels the roads with his band, “Taste the Goodness” writ on the mat.

The band finds a home in Club Rado, made Fam by the silky voiced Van,
But a grifter named Eddie turns love into envy while stealing the name of the band.

What a band they were, signed to Polydor, with John and Charlie the new big three,
Breaking box office records, denim and plaid de rigueur in the lines at the London Marquee!

“The second coming of Cream!”, the newspapers screamed, as they climbed to dizzying heights,
But the band fell apart as their album starts to chart, their swan song, the Isle of Wight.

“Rory’s to blame!” they cry in dismay. “Taste Splits!” splashed on the magazine cover
And he retreats deep inside stung by the bark and the bile and finds solace in his steel-stringed lover.

Was it there all alone in a London far from home where he plotted his rise from the ashes?
And taking his pain he turned inward and gained the power of the jewel of Abraxas?

grave

Whispering Bob

No Faustian gain just the sweat and the pain striving to be one of London’s best,
The darling of Peel, Whispering Bob strikes a deal with the Old Grey and their Whistle Test.

Does he know what it means to that island green, how proud they are of his success?
He’s one of their own, Corkonian grown, rebel county and Catholic blessed

Did he see the look in their eye, the love undisguised in the faces from Shankill and Falls?
The Troubles short rest in the fast beating breasts of the fans at the Ulster Hall?

Just Paddy or Mick to the world large writ, yet Rory broke free from the mold
Beating out Clapton, guitar God of Britain, for top guitarist in the Melody poll.

grave

1972 Melody Maker Poll


 

Epilogue

 

In Wexford town, between the sky and the ground, a small pub hugs the harbor shoreline,
And there the gull makes, a windward tack it doth take, from its perch on the old bridge sign.

And alights on the ledge of the windowed frontage, looming large in the smokey glass
A mariner’s demon, harbinger to seamen, a bug-eyed stare at the imbibing mass.

In the midst of the craic, an old punter sits back caressing his paddy and pint.
And through an alcohol haze he recalls the bright days of the what ifs and what mights.

The boards the lad tread with the stars in his head, took him to the very brink
Of fortune and fame, a rock god untamed, but in truth the boards did shrink.

As the years fly past, the fame doesn’t last and soon there’s none to remember
Those days long ago, now a trip down crow road, and death has claimed yet another.

grave

St. Oliver’s Cemetery


 

The End

 

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Apr 05 2012

One of Only Two — Another Poem for Rory Gallagher

Published by under poems


George Kalamaras and Bootsie

George Kalamaras was born on the South Side of Chicago and grew up listening to the blues — beginning with Ray Charles, all of whose albums his mother had. He is Professor of English at Indiana University-Purdue University Fort Wayne, where he has taught since 1990. He has published hundreds of poems in literary journals and twelve books of poetry, including Your Own Ox-Head Mask as Proof (Ugly Duckling Presse, 2010), Gold Carp Jack Fruit Mirrors (The Bitter Oleander Press, 2008), and Something Beautiful Is Always Wearing the Trees, with paintings by Alvaro Cardona-Hine (Stockport Flats, 2009). His most recent book, Kingdom of Throat-Stuck Luck, won the Elixir Press Poetry Prize and appeared in early 2012.
   George is also the author of a limited edition poetry pamphlet, Mingus Mingus Mingus (2010), which includes his poems about Charles Mingus, Art Blakey, Eric Dolphy, Kenny Dorham, Lee Morgan and Max Roach. The signed limited edition poetry pamphlet is available from Longhouse Publishers. Or email Longhouse at: poetry@sover.net.


Even the Java Sparrows Call Your Hair

He also writes a poetry column on the blues for the Chicago Blues Guide, a webzine dedicated to the preservation and promotion of the Chicago Blues scene. His poems for the webzine are archived at: http://www.chicagobluesguide.com/features/george-poems/blues-poetry-archive.html. One of his poems archived at Chicago Blues Guide is of particular interest to fans of the late Rory Gallagher. “One of Only Two” is a prose poem written for and about the Irish legend. The poem was originally published in Even the Java Sparrows Call Your Hair (Quale Press, 2004), a collection of his works that also includes poems for George Harrison, John Cipollina, Tommy Bolin, Randy California, Paul Kossoff, and others. Recently I got the chance to ask Mr. Kalamaras about his poem for Rory Gallagher:

I wrote the poem because I have been a huge fan of Rory’s since 1972 when I first heard his recordings. I grieved when he left the body, which is not always common when we haven’t physically known the person who has departed. In Rory’s case, though, his music had become such a part of my thinking and my life, even the early Taste lps, especially On the Boards. There was always something raw and guttural about both his guitar playing and his singing. His live recordings captured this best, my favorite being Rory Gallagher Live in Europe (1972), a landmark live recording that just blew me away when I first heard it (I even include reference in the poem to the shirt Rory is wearing on the album cover). In the poem, I was trying to convey both the grief I felt in his passing and some of the hardships and challenges he had, living the life he’d chosen as a bluesman in the old tradition. He never sold out and paid the price, but he also gained even more by not selling out, his music expressing something rich and deep and raw.

No, Rory never did sell out. He stayed true to his art, true to the Blues. As his brother Donal once remarked, “Rory literally lived and died the Blues.” With kind permission of the author, I’ve reposted George Kalamaras’ poem, “One of Only Two” below:


 

One of Only Two

 

for Rory Gallagher

 

I was saying your name, saying your name backwards that day. Like a contour map of your brain. It kept coming out monastic transplant on a hill. Then, fourteenth Irish rib. Then, peaceful pineal acrimony. Then, where are you? where are your shoes? You gifted me a riff about a “Laundromat.” About some woman swallowed in tattoos. Bee entrails as a form of flight? The ink blue blood of squids as what’s strong in my vein? I’d thought you alive, secreting my salt, till Ray told me–your liver bloated from pink to black to gold, like a carp dying then recanting the bruise. Strange draggling release of one’s color into the luminous texture of the next life. Rory, you played the blues as if they were inked indelibly into your skin.

Actually, into the liver. Compound, ventricular, versicle gland acting in the formation of blood. One of only two human organs with the capacity to self-regenerate. Beneath your red flannel plaid something was sallow, as if all the ink of your world squid-pressed into your shy and your almost, into the well- depths of your smoke-throttled voice.

It lodged there, spilling dark pearls backwards, each after the other, that shook like fierce maraca seeds against the gourd, that said extreme nutation and one way, do not enter and ask my name backwards but do the asking gently and in one of three separate voices.

From the alphabet, rare chemical dust. Interplanetary. Diurnal. As if the left foot of the goddess Kali firmed your chest and retracted from your duodenum each of the fifty-one letters of Sanskrit script into the garland of letters hung as skulls around her neck. I heard you wail with Taste on the Isle of Wight recording, stalk across the coals, blind yourself on each blurring seed. From within each sound, I heard the world dissolve. From peaceful pineal gland, I touched a little ground. From as though a dreaming electricity, a habile view.

There’s beauty, Rory, in the amber lamp, the one you leaned against and held as you steadied yourself for the bed. The thrips at the bottom of your gut release strange thriving sounds we all know, but never speak, like tribal dust dialects of Upper Mongolia, untranslatable. Like keeping the night in a bosk. Like shad scum from that gland, we’ve all camped in a thanage on the heath plain of your brain.

You did me right since I was sixteen. Did us all consistent with your plight,
as if you’d paddled yourself from Ballyshannon County, Donegal, up the
Mississippi with a bullfrog in your pocket and let it swallow insects along the
way, stinging the blues. I was saying your name today, saying it backwards.
It came out Irish fly swat. Then, Delta sunset hue. Then, pineal gland of
crudely bottled pain
. Then, where are you? where are your shoes?


 

“One of Only Two” previously appeared in three places: the magazine Gargoyle, 2005, No. 50, in a collection of the author’s poems, Even the Java Sparrows Call Your Hair, Quale Press, 2004, and on the Chicago Blues Guide website. Grateful acknowledgment to editors Richard Peabody, Gian Lombardo, and Linda Cain, respectively.


 

George Kalamaras and friend
George Kalamaras and friend

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