There have been several movies that have included a Rory Gallagher song in the soundtrack. Recent independent releases, “Waveriders” and “32A” have already been mentioned in earlier posts for containing the songs “In Your Town” and “I Fall Apart” respectively. This time around it’s a movie from a few years back, the 2003 “Grand Theft Parsons”, a movie about the death of Gram Parsons (former member of The Byrds and Flying Burrito Brothers), and the off the wall attempt by his road manager to kidnap his corpse and cremate him at Joshua Tree State Park. The film stars Johnny Knoxville and Christina Applegate and features among other songs, the Rory Gallagher classic, Bad Penny, from his 1979 album ‘Top Priority’. Gram Parson has been called the “the father of country-rock” and ranks no. 87 in Rolling Stone’s list of the 100 Most Influential Artists of All Time.
And speaking of Bad Penny, there have been some pretty nice covers of the song recently. Here’s a list of some of them:
Ampiphy is a Dutch “guitar rock” band whose live set list is a mixture of their own original material and covers of classic songs by such artists as Neil Young, Bob Dylan, and Irish guitar legend, Rory Gallagher. You can listen to their cover of Rory’s Bad Penny here:
Natalie Wells Band is a blues/rock trio fronted by 22-year old female guitar phenom, Natalie Wells, who was voted ‘blues artist of the year’ by the Cincinnati Entertainment Awards in 2003. The band also features Curt Hall on bass, and former drummer for Adrian Belew’s band, “Adrian”, Mike Hodges.
Croftstown. Originally called Croftstown Traffic, this 3-piece band from Australia put out one CD, Croftstown Unboogie before guitarist Stephen Crofts was forced to retire due to the debilitating effects of Huntington’s Chorea. His wife, Christina Crofts, continues on and in 2008 released her debut solo album titled, ‘Midnight Train’. Ronny Bervoets of Rootstime ezine described her musical style as ‘Lucinda Williams meets Rory Gallagher down under’. You can listen to the Croftstown cover of Rory’s Bad Penny here: Croftstown — Bad Penny.
Not so bad Pennies, eh?
“Bad Penny” — Rory Gallagher
Well, like a bad penny you’ve turned up again,
You’re in my sights, there’s a mist on my lens.
I think you know how it was when I tripped and fell,
Well, you double-dealed me, baby and I broke like a shell.
Like a bad penny you’ve sure lost the glow
But I’m out of reach, your smile’s sure gone cold.
Well, it can’t ever be like it was then,
Well, don’t you fool with me, baby,
Don’t you mess with my plans.
Some stormy nights, your memory haunts me,
You won’t go away.
Well, like a bad penny you have turned up in the change,
Try to fit into the picture, you can’t get inside the frame.
I think you know I’m still sore, but I’m on the mend,
Times sure have changed, it won’t happen again.
Well, like a bad penny spins around and around,
Well, you won’t know what’s gone wrong when it all falls down,
You got to learn from now on to stop playing games,
You ought to keep on moving, you got to spin on your way.
Some lonely nights, I hear you calling,
Won’t you go away?
Well, like a bad penny you have turned up again,
You’re in my sights, there’s a mist on my lens.
I think you know how it was when I tripped and fell,
Well, you double-dealed me, baby, I cracked like a shell
Jacques Stotzem is an acoustic fingerstyle guitar player from Verviers, Belgium. He has recorded 3 vinyl albums and 11 CDs, and over the years has collaborated with such varied artists as harpist Thierry Crommen, guitarist Jacques Pirotton, and bassist Andre Klenes. In 2003 Avalon Guitars produced the “Jacques Stotzem Signature model” guitar and in 2006 Martin Guitars followed with the “OMC Jacques Stotzem Custom Edition.” Teja Gerken, of Acoustic Guitar Magazine calls him “A master at blending country blues-based technique with a neoclassical sense of melody and dynamics.” In the 2006 press release for the new “Jacques Stotzem Custom Martin Guitar, he is called a “stylistic chameleon” who transcends easy pigeonholing into the various genres of jazz, rock, blues, or folk:
Belgium guitarist Jacques Stotzem creates a fingerstyle landscape both intriguingly familiar and absolutely unique. A stylistic chameleon whose original compositions delve into blues, jazz, folk and even rock & roll, Stotzem transcends easy classification, but his polished and emotionally powerful playing has garnered fans in Europe, the United States and beyond. — Modern Guitars
On his latest CD, “Catch The Spirit” Jacques Stotzem turns to Rock ‘n Roll for inspiration and covers some of Rock’s classic tracks and transforms them into acoustical masterpieces. Using fingerpicks on the thumb and two fingers of the right hand, his ability to transform electric guitar classics such as U2’s “With or Without You,” Radiohead’s “No Surprises” and Jimi Hendrix’s “Purple Haze” is down right amazing. And nowhere does he shine more than in his interpretation of Rory Gallagher’s “Moonchild”. Recently I had a chance to ask Jacques a few questions about his admiration for the late, great, Irish legend, Rory Gallagher:
Playing Rory Gallagher Unplugged
Shadowplays: How long have you been a Rory fan?
Jacques: I am Rory’s fan since I am 16. The first LP I bought was “Live In Europe”. I still remember the pleasure I had to discover the LP, I listened to it so many times. I bought it again recently on CD and what a joy to listen again to “Pistol Slapper Blues” or “Bullfrog Blues”!
Shadowplays: Did you ever meet Rory?
Jacques: No, unfortunately, I never met him and also I just saw him live once. I don’t remember exactly which year I saw him, but it should be around 77 or 78, it was in Liège (Hall Omnisport de Grivegnée). My dream was to meet him at least one time, but sadly, it never happened.
Shadowplays: What is it about his music that made you want to cover his songs?
Jacques: Even if I am an acoustic player, my favorite players are always electric players, so Rory and Jimi Hendrix are my two favorites. It’s for me always a challenge and a pleasure to try to find ways on the acoustic guitar to perform Rory’s music. To try to catch the original spirit and perform it on acoustic guitar. What I really love in Rory’s pieces is that his music was combining energy and melody.
Shadowplays: Have you done any of his acoustic numbers?
Jacques: No, not yet, at the moment I concentrate myself on his electric numbers like “Moonchild”, “Wayward Child”, “Shadow Play”, etc. I perform some pieces instrumentally, but I have also a duo project with a female singer (Géraldine Jonet), and we would like to make an acoustic tribute set to Rory. The singer is only 23, but she’s a big fan of Rory.
In 1989 MTV premiered their “MTV Unplugged” series. The show featured stripped-down acoustical performances by artist who were not usually known for such performances. Rory Gallagher would have been a fantastic artist for this series. Although his prowess as an acoustic player was well known — his live shows always had a few acoustic numbers thrown into the mix — to be able to hear Rory play his electric numbers on acoustic guitar would have been a feast for the ears. And on February 14, 1977, Rory did just that, at least briefly, on a show for Irish TV called “Me and My Music”. Rory played “Secret Agent” on his National acoustic guitar, and showed to the world that he didn’t need electricity to make his songs electrifying.
So I can hardly wait to listen to an acoustic tribute set of some of Rory’s best electric numbers by Jacques Stotzem and Géraldine Jonet. A couple of these songs have already made their way to youtube: Wayward Child and Keychain. What a welcome addition the duet of Jacques Stotzem and Géraldine Jonet would be to the Rory Gallagher International Tribute Festival held in Ballyshannon each year. Barry O’Neill are you listening?
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